Well.

I am not sure what to say- or how to say anything in a coherent way, so I won't try.
I'll just write.
 

An essential part of the mission of On the Boards is introducing international innovators to audiences, so we’re particularly proud to bring this artist here. The show has already prompted a lot of conversation.

But we want to know what you think about Te haré invencible con mi derrota. How did you react to the intensity of the performance? Did you take anything away from the show (images, sound, meaning, etc)? What did you think of the connection to the cellist Jacqueline du Pré?

Leave your thoughts in the comments!

Angélica Liddell is a warrior artist. She sees the stage as a battlefield and employs any means necessary to make something beautiful out of difficult subjects, things most people would rather leave unsaid or unexamined. She describes personal pain and summons the spirit of a famous dead cellist for answers. A ritual unfolds – what she considers to be a séance of sorts – as she dialogues with Jacqueline du Pré.

Both weeklies have previews/recommendations for Angélica Liddell this weekend. Check it out:

"...she has the fury and intensity of Diamanda Galás" - The Stranger

Misha Berson at the Seattle Times got the skinny on Angélica Liddell from Lane Czaplinski as well as some teasers about other upcoming shows in the 11/12 Season. Read about our 11/12 performances in the Seattle Times.

Angélica Liddell is making her North American debut at OtB next week. In addition to being the first time her work will appear on this continent, it’s also the first time this performance will be translated into English.

Throughout the past few months Temporary Distortion has been filming around NYC for Newyorkland, a brand new work inspired by gritty cop movies of the 1970's, popular TV police procedurals, and real life cop stories.

Here's what critics have to say about El Gallo so far:

by John Osebold

by Gina Russell