Check out these press reviews for Orpheus and Eurydice: Seattle Times – Dance Review | Chouinard gives "Orpheus and Eurydice" a provocative twist

Seattle PI – Chouinard's visual power is unfailing

Cross Cut – Marie Chouinard, a very distinctive voice in dance

Check out what the local press had to say about "BIG 3rd (happy/end)": The Seattle Times | "Performance ensemble takes on the pursuit of emptiness" The Seattle P-I | "Superamas put on a glossy show, but what's the point?" Seattlest | "The Superamas Go BIG at On the Boards" The Stranger

Here's a review of the show on Seattlest:

Transcendent scenery, creative use of technology, and a clean, uncluttered script creates a piece of theatre that is multi-layered, unpretentious, and totally innovative. READ MORE

The Seattle Times reviews small metal objects:

Seattle's Olympic Sculpture Park is a haven for joggers, dog walkers and amblers. You wander amid artworks, taking in magnificent water and mountain views, maybe chatting with a friend. But do you ever wonder about the strangers strolling by? And their conversations? READ MORE

Seattle Weekly posted an on-line review of last night's performance.

The audience sits in chairs, listening to the performance in headphones while the actors come upon them out of the crowd, telling the story of two invisible men. READ MORE

The second weekend of the festival was blogged on Seattlest:

With two years' experience at the Northwest New Works Festival at On the Boards under our belts as of this weekend, we're seeing a pattern emerge: The really exciting work happens down in the studio, and the mainstage performances are more or less skippable unless you're really into that sort of thing. READ MORE

There's a write-up about the first weekend of the Festival in The Seattle Times:

The gems were hidden in the basement. Last weekend, nine venturesome new works from the Pacific Northwest were presented at On the Boards' 25th Anniversary NW New Works Festival. And while the mainstage offerings included striking moments, the more engaging work was in the smaller, bottom-floor Studio Theater. READ MORE

Regina Hackett in the Seattle P.I.: "A dark curtain of electronic snow is pastoral as it falls and jolting as it reverses itself and rises." READ MORE Sandra Kurtz in the Seattle Weekly: "Most founders of American modern dance hated ballet the same way the Puritans hated the Papists." READ MORE

Jim Demetre wrote about the show on the Artdish blog: "I saw Zoe Scofield and Juniper Shuey's the devil you know is better than the devil you don't at On the Board's Thursday night. I have always thought that they were Seattle's best modern dance company, but this performance was something quite extraordinary.

Blogged on Seattlest: "You know how in horror films they were doing this thing where they'd delete frames and speed up or slow down the film to give the "evil" an eerie, inhuman quality? Zoe Scofield does that live, pretzeling, twisting, writhing, blank face dusted white with a silver streak down the center, her eyes disturbing pools of black under the lights. Yet...a hand reaches out to softly enfold the nape of a neck, there's a surrender, a leaning back." READ MORE