A response to Kaneza Schaal & Cornell Alston: JACK & (May 10-13 at On the Boards) (Photo: Christopher Myers)

A recipe for love 
A recipe for disaster
A recipe for commitment 
A recipe to hold it together 
A recipe to make it fall apart

A response to Tamara Saulwick: Endings (Feb 1-4, 2018 at On the Boards)

Photo: Heidrun Lohr

A response to Real Magic by Forced Entertainment (Jan 18-20) (Photo: Hugo Glendinning)

A review of Pancho Villa From a Safe Distance (Nov 16-19) (Photo: Gema Galiana Photography)

I hear voices he said,
With a toothy smile.
A boy, 19, in the northwest corner of Mexico.

We all hear voices.

Belarus Free Theatre: Burning Doors (photo: Nicolai Khalezin)

Hope. Is that as important as breath to a child? Is Hope an elastic concept? Is Hope, qualified by reality, just hopeless? How does a child cope with life, when his/her father possesses a 'realistic amount of hope?' 

What liberty might we know if could collapse the duality of gender? Geumhyung Jeong’s hour-long exploration on this theme gives us Oil Pressure Vibrator. I am sure you will leave asking questions, or wishing that you could sit down with the artist or spend some time with her.