1. Saint Genet keeps it mysterious.  Example: a quote by Saint Genet commenting on their upcoming performances for The Stranger’s 2012 Summer AP guide reads, 

The only way to introduce How to Disappear Completely is to tell the story of it's creator, so here I've written some cliff notes about Itai Erdal's journey into performance. How to Disappear Completely is showing March 21-24, bring tissues! Bring your mom! 

I'm so excited to see False Peach I could bust.  I hope the following 'beginner's guide' gives you some clues as to how very brilliant, diverse, and awesome Annie Dorsen and her cohort are and how interesting this piece is going to be.  Here goes:

Here are a few factoids to get you warmed up for local legend Catherine Cabeen's dance piece, Fire!

Kyle Loven is coming to On the Board's Studio Theater December 5-9 where he will take us on a trip into the world of Loss Machine. Loven's influences include Jim Henson's The Dark Crystal and his work has been compared to the films of Jan Svankmajer, the Czech surrealist film maker . . . I can barely begin to imagine how quirky, endearing, and imaginative this performance will be.

Our artistic neighbors from Mexico are bringing their beautiful culture, art, and point of view on border politics to OtB this November 8–11.  I am personally so excited for the perspective this performance is going to offer us! I really am. Here are some basics, some background, about the company and its director to lay some ground work for Amarillo.  

Angélica Liddell is making her North American debut at OtB next week. In addition to being the first time her work will appear on this continent, it’s also the first time this performance will be translated into English.