“I’m really into disruption.”

I knew the moment Jessica Jobaris said these words to me in a big-windowed café in Fremont on a bright winter day, I could trust her. And that once this critical relationship was established trust between the artist and the observer/participant (and in this case, interviewer) I could look openly into her experiences and therefore also into my own. I could learn from and be moved by her.

“I’m really into disruption.”

I knew the moment Jessica Jobaris said these words to me in a big-windowed café in Fremont on a bright winter day, I could trust her. And that once this critical relationship was established ꟷ trust between the artist and the observer/participant (and in this case, interviewer) ꟷ I could look openly into her experiences and therefore also into my own. I could learn from and be moved by her.

Who needs sci-fi and horror movies when the dystopia is happening right before your very eyes?

I keep thinking this throughout Awaiting Oblivion. I don’t need to say how apt the show is given the current political climate in this country. I’ve been seeing a lot of folks making the comparison between this new hunger for resistance movements and fictitious entities like Dumbledore’s Army in Harry Potter or the folks in The Hunger Games.

            An indicator species is a plant or animal sensitive to changes in the environment. Biologists track these species to monitor ecosystems for adversity, studying them so as to be alert to conditions like disease or contamination.

What liberty might we know if could collapse the duality of gender? Geumhyung Jeong’s hour-long exploration on this theme gives us Oil Pressure Vibrator. I am sure you will leave asking questions, or wishing that you could sit down with the artist or spend some time with her.