Jim Demetre at ArtDish just posted a review of THE SHIPMENT:

When a Korean-American woman decides to take on the subject of race in America by writing a play about blackness cast solely with African American actors, the theater-going public is likely to be filled with curiosity, skepticism, or dread. But what happens when volatility and the promise of social revelation give way instead to an argument about the sorry state of American theater today?

Read the full review.