"Partly scripted and partly improvised, the piece’s dramatic tension accumulates in the same way that capital does: by seeing just how far, and at what cost, one person will go to beat another--even a close friend.

The lights are brought low and your eyes slowly begin to adjust to the darkness of the theatre. At that critical moment when your mind wants to see clearly yet can’t quite make the connection between imagination and reality, a lilting voice creeps into your mind, letting you know that your life could be slightly better if only you were watching an Athenian space musical hosted by Lumpy Space Princess. 

And as it turns out that is exactly what you’re doing.  

"When the houselights dim the record scratches. After a few bars in the Baroque and some distortion Holcombe Waller and his ensemble delight while vaguely indicating food for thought in a fast-paced show that, dramatically, is mostly reveal with the slightest of conflict and resolution sequences. It is as entertaining and accessible a production as one is likely to see at On The Boards.

The ways in which we traverse our physical and psychological landscapes have always been informed by our relationship to variable technologies. Because, as it turns out, technology is not new. Technology is creative problem solving. A map. A technique. Technology is language. It is not (just) smartphones - it is a toothbrush. A System. A method. A solution to a perceived problem. Technology is navigation - wayfinding - “Navigation is Ancient.”