Who doesn’t want to see a live performance that’s a retelling of a shooting at a school board meeting via music, dance, humor, strobe lights, fog, underwear, and discomfort? These were my somewhat skeptical thoughts I had as The Clay Duke was about to begin. (Though I will admit to being intrigued.)
Seemingly imbued with the power of clairvoyance, OtB Artistic Director Lane Czaplinksi anticipated my sentiment (which apparently was not confined only to the recesses of my nervous mind), writing about it in his Curator Note in the program. He concluded: