With a preternaturally intimate knowing, Kidd Pivot hovers above us, maneuvering the set pieces of our bodies in a cribbed diorama exposition of Shakespeare's Tempest. Here we are, actors in the form of figure mannequins, manipulated and arranged to decode a universal language. With almost cold observation of the human body's ability to display emotion through gesture and nuance, our limbs are arranged and sculpted in marionette space, floating in-between life and indefinable magic. Magic is a key article of Kidd Pivot's repertoire.