In the dance classes I teach, I often spend a lot of time talking about transitions. The way you get from one place to another is often more important than the arrival. The nature of the transition can give deeper meaning and impact to where you came from and where you end up. Without thinking about how you get from one place to another, you are just going through the motions. And what is true for dance is true for life. (Insert smirk right here.)

Reggie Watts and Tommy Smith have created an hour long unapologetic performance experience that strings together one transition moment after another. It is an interesting concept to take on in a time based art form and a ripe opportunity for thwarting audience expectation. From the beginning we are set up to believe one thing will happen, then something else completely unexpected occurs instead. One example of this that I cannot stop laughing about, is a video of Reggie making out with with a super hot girl in a car. The kissing is steamy and as a viewer you are really getting into the whole thing. Who doesn't enjoy watching two hot people making out like they are honestly enjoying themselves? Then bing! The Nabisco logo pops up in the corner and we move on to the next thing.

There are times I wish I was clever enough to understand the cleverness of other people. I feel this way at times when I witness something I like, but don’t quite fully understand, like Ingmar Bergman... or the Scottish.

From Seattlest:

It's a little bit hard to explain Reggie Watts. Wikipedia calls him a "multidisciplinary comedic performer," and while that's accurate, it fails to capture the weirdness of his material. What would you call this? Hip hop Andy Kaufman? Comedy Girl Talk?

From Take 21 (Nancy Guppy's blog):