Jim Demetre wrote about the show on the Artdish blog: "I saw Zoe Scofield and Juniper Shuey's the devil you know is better than the devil you don't at On the Board's Thursday night. I have always thought that they were Seattle's best modern dance company, but this performance was something quite extraordinary.

Blogged on Seattlest: "You know how in horror films they were doing this thing where they'd delete frames and speed up or slow down the film to give the "evil" an eerie, inhuman quality? Zoe Scofield does that live, pretzeling, twisting, writhing, blank face dusted white with a silver streak down the center, her eyes disturbing pools of black under the lights. Yet...a hand reaches out to softly enfold the nape of a neck, there's a surrender, a leaning back." READ MORE

Clicking static (or is it static clicking) starts the show. A smattering of flakes fall from the top, and I discern the layers of white with surprising ease. It's a blizzard, but an amiable blizzard. Through the thick, I see a regurgitated figure appear stage left, transferred, and then re-transferred so as not to be recognized, as a third-generation VHS copy-of-a-copy. Dancer? Check. Virile and unusual? Double-check. White stag or human? Yes. Digital projection or human? I convince myself, it is certainly human, and I feel more human having asked. I believe s(he) is human until--she moves.